What bon jovi album was midnight in chelsea

#What bon jovi album was midnight in chelsea tv

But I think what captured me as a fan and a writer is the cleverness of the writing on Destination Anywhere. Once the guys in the band heard me play it acoustic, it ended up in our set. Most of the tunes would be my own material and covers from the вЂ™70s and вЂ™80s but once I heard third single вЂњJanie, DonвЂ™t Take Your Love to TownвЂќ, I found myself playing it acoustic. In the вЂ™90s, I covered very little new material with my band or during solo acoustic shows. The concert was geared towards the Destination Anywhere CD and might have even been a contest promotion or something but it was then that I heard the next couple singles and decided to take a chance on the album after all.

#What bon jovi album was midnight in chelsea tv

Then one day, bored out of my mind, I was invited to drive down to Myrtle Beach, South Carolina for a show to be filmed for possible TV and DVD release use. While catchy, on first listen it did seem to drag and if that wasnвЂ™t disheartening enough, second single вЂњQueen Of New OrleansвЂќ immediately struck me as a bad rip off of Tom PettyвЂ™s вЂњLast Dance with Mary Jane.вЂќ So far, hardly enough to waste my time trekking down to the local record store and shelling out the dough for a copyвЂ¦ so I decided to pass. Kicking off with first single вЂњMidnight in ChelseaвЂќ, I originally found myself only mildly interested. While the film itself, starring Jon and actress Demi Moore in addition to several other actors is hardly a gem, the music stands more as a step away from the band Bon Jovi than previous solo release Blaze Of Glory featuring some clever writing and a mix of catchy, tunes that give more of a nod to his Jersey music roots than any of Bon JoviвЂ™s releases to that point. But by 1997, I was ready for more Bon Jovi and looked to merely settle when it was announced that Jon would be releasing a solo album titled Destination Anywhere, a second solo album released as a soundtrack to a film. Luckily for me, Bon Jovi themselves had from that first album in 1984 released a continual stretch of six pretty solid albums culminating with 1995вЂ™s These Days. Never one to sit through the annoying vocals of Eddie Vedder and the slew of pop bands and teeny bopper вЂ™90s offerings, I had pretty much moved away from listening to radio and started to discover and rediscover older artists such as вЂ™70s acts like Starz and Big Star, not to mention Jon Bon Jovi influence Bruce Springsteen. In 1997, many like myself found little to grasp on to in mainstream music.

While in all honesty, I really didnвЂ™t know much about the вЂњcruising the bouldevardвЂќ songs I had written for my then band, at that point I tragically understood the pain of heartbreak which led to the creation of a song that to this day many consider their favorite of the many I have penned over the years. I would take this into consideration on the next song I would write purely by accident. I can still remember walking into a room in the mid-вЂ™80s and finding myself in a conversation with Jon that included me listening intently through a mini-lecture on songwriting and how the best songwriters connect by writing what is real to them. Well aside from 2015, toss out release Burning Bridges. While itвЂ™s true that as time continues to move on, I find less and less tracks on each new Bon Jovi release contain the ability to capture whatever it is I find appealing about the songs he writes, I can usually find at least one track that moves me per CD. Whether it be the easy to relate to tales of struggle or the romanticized relationships featured in his songs, there is just something that continues to strike a chord within me to this day. Since the first time I heard вЂњRunawayвЂќ on a breaking artist segment on old area rock radio station 96RXR, I have admittedly been a mark (aВ term usually primarily used in wrestling to describe a fan who idolizes a particular person to the point some might consider excessive) for songs written by Jon Bon Jovi.